Though it had its premiere reading on the opposite side of the world from Korea, on a stage in New York City, Jesse Jae Hoon’s “Saved” spoke directly to the hearts of many in both countries. Divided into two parts, the first part of “Saved,” titled “The Girl and the Sky,” debuted at The Public Theater in New York on April 21 as part of its Emerging Writers Group Spotlight Series. The one-night-only event offered audiences a glimpse into a bold new voice in American theater — one shaped by lived experience and a fierce commitment to truth-telling. With nuance and emotional depth, the play explored the complexities of adoption — not merely as a legal process or an act of “saving” a child, but as a personal journey shaped by love, loss, identity and history. It served as a reminder that questions of origin and belonging are deeply human — and often entangled in geopolitical forces far beyond an individual’s control. The story unfolds across three interwoven timelines. In the present-day (2014), Peggy Mortimer, a Korean adoptee, grapples with personal tragedy and a painful rift
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